'Annie Ernaux's work', wrote Richard Bernstein in the "New York Times", 'represents a severely pared-down Proustianism, a testament to the persistent, haunting and melancholy quality of memory'. In the "New York Times Book Review", Kathryn Harrison concurred: 'Keen language and unwavering focus allow her to penetrate deep, to reveal pulses of love, desire, remorse'. In this 'jo...(展开全部)

'Annie Ernaux's work', wrote Richard Bernstein in the "New York Times", 'represents a severely pared-down Proustianism, a testament to the persistent, haunting and melancholy quality of memory'. In the "New York Times Book Review", Kathryn Harrison concurred: 'Keen language and unwavering focus allow her to penetrate deep, to reveal pulses of love, desire, remorse'. In this 'jo...(展开全部)

'Annie Ernaux's work', wrote Richard Bernstein in the "New York Times", 'represents a severely pared-down Proustianism, a testament to the persistent, haunting and melancholy quality of memory'. In the "New York Times Book Review", Kathryn Harrison concurred: 'Keen language and unwavering focus allow her to penetrate deep, to reveal pulses of love, desire, remorse'. In this 'jo...(展开全部)

'Annie Ernaux's work', wrote Richard Bernstein in the "New York Times", 'represents a severely pared-down Proustianism, a testament to the persistent, haunting and melancholy quality of memory'. In the "New York Times Book Review", Kathryn Harrison concurred: 'Keen language and unwavering focus allow her to penetrate deep, to reveal pulses of love, desire, remorse'. In this 'jo...(展开全部)

New and emerging technologies, especially ones that infiltrate intimate spaces, relations, homes, and bodies, are often referred to as creepy in media and political discourses. In Technocreep and the Politics of Things Not Seen, Neda Atanasoski and Nassim Parvin introduce a feminist theory of creep that they substantiate through critical engagement with smart homes, smart dust,...(展开全部)

New and emerging technologies, especially ones that infiltrate intimate spaces, relations, homes, and bodies, are often referred to as creepy in media and political discourses. In Technocreep and the Politics of Things Not Seen, Neda Atanasoski and Nassim Parvin introduce a feminist theory of creep that they substantiate through critical engagement with smart homes, smart dust,...(展开全部)

New and emerging technologies, especially ones that infiltrate intimate spaces, relations, homes, and bodies, are often referred to as creepy in media and political discourses. In Technocreep and the Politics of Things Not Seen, Neda Atanasoski and Nassim Parvin introduce a feminist theory of creep that they substantiate through critical engagement with smart homes, smart dust,...(展开全部)

New and emerging technologies, especially ones that infiltrate intimate spaces, relations, homes, and bodies, are often referred to as creepy in media and political discourses. In Technocreep and the Politics of Things Not Seen, Neda Atanasoski and Nassim Parvin introduce a feminist theory of creep that they substantiate through critical engagement with smart homes, smart dust,...(展开全部)

阿诺德•汤因比（1889—1975），英国人，世界著名的历史学家，先后任职于牛津大学、伦敦大学和英国外交部，一生游历甚广，著述颇丰，其一反国家至上的观念，主张文明才是历史研究的单位，既用哲人的眼光，从宏观角度对人类历史与文明进行探讨，又以非凡的叙史才能，以历史学家的视野对人类历史与文明进行描述，以《历史研究》为代表的一系列著作为他赢得了世界性声誉，被誉为“近世以来最伟大的历史学家”。 司佳，1978年生于上海，复旦大学历史学系教授、博士生导师，美国宾夕法尼亚大学博士，研究方向为近代中外文化交流史。

"In the threatening situation of the world today, when people are beginning to see that everything is at stake, the projection-creating fantasy soars beyond the realm of earthly organizations and powers into the heavens, into interstellar space, where the rulers of human fate, the gods, once had their abode in the planets.... Even people who would never have thought that a re...(展开全部)